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  • S.L.O 2025

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  • I WORKED WITH THE CIA AND THE DEPARTMENT OF HOMELAND SECURITY TO CREATE AN ARTIST IN RESIDENCY. THE ARTISTS INVOLVED WERE ASKED TO 'CREATE A WEAPON'. ALL OF THE ARTISTS WHO PARTICIPATED IN THIS PROGRAM WERE ASKED THE SAME QUESTIONS OVER THE PHONE, AND WERE RECRUITED SOLELY BASED ON THEIR BELIEF THAT THIS PROGRAM EXISTED IN THE FIRST PLACE. I NEVER MET JM, WHO CREATED THIS WORK; 250£ GOLD BULLION WAS SENT IN THE POST AS PAYMENT.
    I WORKED WITH THE CIA AND THE DEPARTMENT OF HOMELAND SECURITY TO CREATE AN ARTIST IN RESIDENCY. THE ARTISTS INVOLVED WERE ASKED TO 'CREATE A WEAPON'. ALL OF THE ARTISTS WHO PARTICIPATED IN THIS PROGRAM WERE ASKED THE SAME QUESTIONS OVER THE PHONE, AND WERE RECRUITED SOLELY BASED ON THEIR BELIEF THAT THIS PROGRAM EXISTED IN THE FIRST PLACE. I NEVER MET JM, WHO CREATED THIS WORK; 250£ GOLD BULLION WAS SENT IN THE POST AS PAYMENT.

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    Hoshitouge Terraced Rice Field in JAPAN...or near, 2009
    Hoshitouge Terraced Rice Field in JAPAN...or near, 2009

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  • AVATAR 6 of 7, 2023
    AVATAR 6 of 7, 2023

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    Hoshitouge Terraced Rice Field in JAPAN...or near, 2009
    Hoshitouge Terraced Rice Field in JAPAN...or near, 2009

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  • Look, I'm making these now, 02, 2024
    Look, I'm making these now, 02, 2024

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